Coming out of an e-boy’s mouth, lip synched zombie croaks can signify masculinity, and the gasps lightly suggest BDSM. Salina Johns-who parodies e-boy tropes so regularly on TikTok that she declared herself the “King e-boy”-points out that the e-boy performance can be ironic, but it’s still geared toward convincing other teenagers you’re hot.
Their moves allude to sex, but are chaste enough to avoid serious alarm. They film their TikToks in dark bedrooms lit by colored LED lights, where they pout, mimic choking themselves, and roll their eyes while tapping their temples.
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“Pumpkins scream” and “Asshole” gathered momentum, in part, because of e-boys-chain-sporting, black nail polish-wearing, Timothée Chalamet-types who serve as a digital update of previous generations’ goth mopes. Dreamy, enchanted-forest arpeggios lull you into a trance, and then the track drops abruptly, sliding into a suave, nonsensical rhyme: “OK like criss cross, applesauce, lil baby caress me.” Songs with these definitive shifts-including Six the Musical’s “ Get Down,” which builds and builds until suddenly deflating into an a cappella ditty or CG5’s “ Absolutely Anything,” a fan-made song for the video game Bendy and the Ink Machine that clicks like someone is assembling a machine gun-provide a precise point for transformations to occur, enhancing a video’s potential virality. That TikTok is set to “ Tunnel of Love” by Haroinfather, which samples the theme from the 1998 video game Legend of Zelda: Ocarina of Time. In one example, a video producer from The Washington Post turns into Ned the Newshound, the newspaper’s lovable mascot. The drop is central to transformation TikToks, a popular style of video where users appear on camera looking a certain way before suddenly switching into a different look. Dancers will often layer their moves with juddering visuals that simulate an earthquake, to heighten the perceived intensity. Meme-y tracks like “Gordan Ramsay” hinge on moments that act as micro EDM drops-points of peak intensity where the bass punches hard and tension is released-and witnessing Woahs that are perfectly timed to these drops can be as satisfying as watching an Olympic gymnast stick a difficult landing. One variation on the move drove HL Wave’s pixelated rap track “ Gordon Ramsay” toward virality, leading to a video of the real Gordon Ramsay Woah-ing clumsily to the song alongside his 18-year-old daughter, Tilly. One of the most popular dance moves on TikTok is the Woah, where you ball your fists and swiftly move your arms in opposing circular motions, as if parking a car in reverse, and then roll into a freeze on the beat. To work with viral dance moves, the beat has to be loud, energetic, and visceral, as if a supernatural current is jolting the dancer awake.
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A YouTube commenter joked that only 20 percent of those who watched were “normal people”-the rest were all TikTokkers. Ashnikko, a turquoise-haired 23-year-old whose quirky anime aesthetic invites regular comparisons to the Japanese virtual pop star Hatsune Miku, then released a blood-smeared music video for “STUPID” in which she shows up at her ex-boyfriend’s door, taunts him for “fantasizing about the pussy power,” and then murders him with a hatchet. It soared to the top of Spotify’s Viral 50 chart last month, thanks in part to the hip-swaying dance challenge. Miley’s video, which has been liked 2.3 million times, is one of over 3 million TikToks set to Ashnikko’s “STUPID,” a venemous rap song animated by its snide dismissal of men, ghoulish theatrics, and Pornhub shoutouts. When the chorus hits, they each lift one hand in the air, place the other on their waist, and sway their hips goofily as the voice deadpans, “Stupid boy, think that I need him.” On camera, a recently divorced Miley Cyrus and her new boyfriend preen while lip syncing along in a bathroom. “WET! WET!” barks a young woman’s voice over a blown-out trap beat, channeling the rage of a drill sergeant and the gurgling rasp of a chainsmoker.
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